Sunday, June 16, 2013

The Glass Kitchen

One of my favorite memories of my Dad was when I was about six or seven. Our family had traveled to St. Louis due to my grandmother's sudden serious illness. Since it was during the school year, after a couple of days and being assured my grandmother would recover, we left my mother and younger brother behind, and he and I drove back to Mississippi that weekend.  This was probably the longest amount of time I'd ever spent alone with my Dad to date, and it was unusual to have his full, undivided attention.  I got to sit in the front seat, of course, and I remember stopping at a Stuckey's and his buying me a little packet of novelty toys--the only one I now recall being a little plastic dog that smoked a tiny fake cigarette.  Anyway, we got into Vicksburg around 6:30 or 7:00 that evening, and as this was before we even had a McDonalds, I believe, the only place open was The Glass Kitchen on South Street downtown.  We went in, sat down, and he ordered me a grilled cheese sandwich, telling me he was sure I'd like it (he was right--even today it's probably still my favorite thing in the world to eat, although I don't indulge very often).  I got to pick my drink, so I had a 10 oz bottle of 7-Up. I remember it being the coldest, sweetest drink I'd ever had. 

This first "date" with my Dad remains one of my most favorite memories, not just of him, but of all my memories.  Not only because of his undivided attention for me, but because it was the first time I really paid close attention to HIM.  In fact, I remember feeling a little bit nervous and giddy sitting there in the restaurant, not quite sure what to say or do--like it really was a "first date" with someone you'd just met.  I don't remember what we talked about specifically, but I knew that I didn't want to ever leave.  

It's the only time we ever ate at that restaurant, even though it remained open well into my high school years. I remember returning there myself only once when I had a little part-time job at the bank across the street my senior year.  It still looked the same, with its open kitchen of glass and stainless steel and vinyl booths.  I ordered a grilled cheese and a 7-up, though. 

The photo attached is of Vicksburg artist Daniel Boone's now-famous print of the place--the only image of The Glass Kitchen I could locate anywhere on the internet. I actually also happen to own a copy of the print, which I purchased at the Attic Gallery years ago as a Father's Day gift for my Dad.  He immediately recalled our outing there, and I think was touched by the fact that it had been such a special memory for me, too.  It now sits in my own "retro-style" kitchen...a style choice which I am sure was influenced by my recollection of that place.  

I can't believe it's now been seven years since my Dad passed away. So tomorrow, in honor of that, I think I'm going to treat myself to a grilled cheese sandwich and see if I can't locate a bottle of 7-up to toast my Dad with.  
 

Wednesday, April 3, 2013

And judge me not

Last week, while trying to prepare for my first big step on what I hope will be a journey to find some peace of mind and healing for myself, the phrase "if I lay bare my soul" kept coming to mind. So like any good 21st centurian, I googled it, and while it (surprisingly) didn't pull up much (only 57 results--really?), most of them were references to a poem written in 2006 by a woman in England on her blog page--which page, incidentally, doesn't have much activity beyond that and a handful of other posts around that same time (much like my own blog page, in fact). Anyway, I was dumstruck by the power of this poem, and since it's National Poetry month, I thought I'd share it.


For me, the phrase "judge me not" really means, at least, "hate me not," and, at most, "love me still." And while I believe this is a core, universal desire we all crave from others, I am beginning to understand that it's a prayer most needed when speaking to myself.

JUDGEMENT
by Suzanne Thorne

If I lay bare my soul
Will you treat me gently
Accept my strengths and weakness
And judge me not.

If I open my heart
Will you see the love, the pain
Accept my fears, my passion
And judge me not.

If I share my mind
Will you listen to all my hopes, my plans
Accept my dreams
And judge me not.

If I show you the real me
Will you want to stay
Accept me for all that I am
And judge me not.

Wednesday, January 30, 2013

Untold

There's a story trapped within me
It will never be lived, much less even told
It will die with me.

Parts of it try to leak out here and there
Rumors fly, I am sure
But no one's really asking any questions

Some days it simmers and sinks down
Others it rumbles and boils
Rising like a geyser into my brain

I've acted it out hour after hour in my car
I've written it down over and over
But silence is the only audience it can ever hold

Between the lines, I wonder--
Why do secrets need telling,
And never moreso than when they can't be told?

Saturday, December 29, 2012


There's nothing sadder than the realization that there's a profound desire within you that you so desperately need to express, but that there's no one there to say it to who won't think of you as a pitiful fool. 

Oh, wait, there is one thing sadder: to have a desire that's so pitifully foolish in the first place.  

Tuesday, August 21, 2012

Accident


You accidentally called me "beautiful" once, when we were parting
I knew it was a mistake--you'd simply forgotten who you were talking to
But I took it anyway, even though it belonged to someone else
And I wasn't entitled to it--I took it like the thief that I am,
Because I've never come by anyone's adoring gaze honestly
Only beauty begets that sort of knee-jerk, spontaneous admiration
The rest of us must work to earn it through words and deeds
Digging down and forcing all that "inner beauty" to the surface
So that it creates a facade of forged loveliness,
Like an illustration drawn on a plain brown wrapper

You accidentally called me "beautiful" once,
And like any good pickpocket, I took advantage of your carelessness
I snatched it up before you knew you'd left it there, 
Pretending it was meant for me, knowing that it never was
And like that necklace that I took when I was a girl, 
I take it from its secret hiding place and try it on, making believe I deserved it

Monday, May 14, 2012

Facebookitis

Facebook. Ubiquitous, omnipresent...the distillation of our thoughts and feelings in the form of soundbites and snapshots, all poured into the melting pot--the Borg, if you will. All will be assimilated.

The lure of Facebook is the connectedness--the feeling like you are part of something larger than yourself, but within which you are somehow more free to be yourself. Or so it would seem.

 I find myself wanting to "please" the Borg...to present an offering worthy of attention. For this, there are really only three choices: say something witty, say something profound, or say something "universal," i.e., something with which everyone can agree. Of course, there is the newsfeed element, in which we post our major events, our comings and goings, to the public square. But that's its more mundane function. What it really demands of us other than news content is the service of the meme...the ongoing conversation...by contributing little tiny bits of our identity.

I don't post to it nearly as much as many of my friends do...I chime in on far more conversations than I start. And one of the main reasons is the aforesaid pressure to "perform." To create something worthy of the attention of the multitude. The other reason is because the things I really WANT to say...the things I really FEEL, are far too important to be trivialized by broadcasting them to many who are undeserving of my innermost thoughts. The madding crowd both giveth and taketh away...we simultaneously want to please them, to let them all know how witty and profound we can be, while also resenting and fearing the exposure. Facebook is a paradox: it promises a sense of intimacy while providing the cloak of safety in numbers.

There are moments when I am in such need of...something...validation? sympathy?...that I am compelled to open Facebook and compose a status update that reaches out to that universe, seeking a "like" or a comment...the answering back that says, "I hear you...you exist...and I understand you." But I can't seem to say the words, most of the time. Because the words I really want to say are too much...too overwrought...too revealing...too intimate or scary, to say in that forum. So I remain silent. But the lure of it is still overwhelming.

Tuesday, April 10, 2012

ashleyjuddenfreude

Ashley Judd "slapped the media" this past week for remarks made across several outlets over a 24-hour period after one comment about her face being "puffy" and the speculation that she'd "had work done." In its typical feeding frenzy fashion, other "journalists" picked up on the story and ran with it, leading to numerous unsubstantiated comments from people who'd never met her, including plastic surgeons, without one reporter or media outlet ever contacting Ms. Judd for verification or comment.

Many of the reporters or commentators were women, and therefore the thrust of Ms. Judd's reaction was lamenting the fact that all of this seems to be coming from a place of institutional or societal misogyny--that the patriarchal system, promulgated by both men AND women, creates an environment where women are objectified and devalued for anything other than their physical attributes, and that any "slippage" in that arena is celebrated by other women, ostensibly because this system puts all women in competition with each other for male approval.

She made a lot of salient points, and I tend to agree with most of what she said. However, I think one thing she kind of overlooked which plays a major role in all this is that maybe it's not nearly as much about misogyny, as it is about schadenfreude. I think people in general operate from a place of envy of ANYONE, male or female, who they think is smarter, prettier, richer, more talented, etc., than they are.

This isn't any new idea, this "we build them up so we can tear them down" relationship the pubic has with its celebrities. They do become icons or idols or metaphors larger than their own personal humanity--they are the archtypes on which we hang all of the Homeric and Sophoclean epics and tragedies--the same stories of the fatal flaws retold for our own generation. We project EVERYTHING upon them, reflecting the love-hate relationships we have with ourselves: our dreams of being beautiful and successful, our disappointment when we don't measure up. Which is where the schadenfreude really comes in handy...when we are disappointed with ourselves, we look to find someone or something else to distract us--something to say to us, "well, even the one I THOUGHT had everything, doesn't," and, though it's a shameful thing to admit, it makes us feel a little bit better about ourselves.

So in the context of Ms. Judd's experiences overall this past week or so, I think the picture is a little broader than just the ongoing "male vs. female" battle, but she was correct in calling to task the women that engaged in it--until women stop being complicit in their own degradation, the battle will rage on to their detriment.

But I don't know if that's even really possible--genetically, societally, biologically, anthropologically. We are animals wired for procreation, with a "survival of the fittest" edict encoded into our genes. Even with the vast, multi-faceted landscape that is modern, liberated, enlightened human sexuality, there is, at its core, this primal dance that was designed to bring the smartest and strongest of the species together to ensure its endurance, and we are, in spite of our evolved, self-actualized selves, slaves to our visceral reactions: if something is outwardly, visually pretty, IT ATTRACTS US. WE LIKE IT. We each may have different tastes of what we find most attractive, but there is that "Golden Ratio" that steers our instincts. Some people just ARE more attractive than the others, and, by virtue of that attractiveness, those people draw more attention, and ultimately have more choices and opportunities across the entire spectrum of what comprises a life, which, unfortunately, subjects them to the envy of others.

I guess my point here (or one of them, anyway--I'm admittedly all over the map, as usual), is that if it weren't for the fact that Ashley Judd was remarkably beautiful, intelligent, and talented to begin with, no one would bother to make these comparisons or comments about her. I'm not saying that makes it okay, or that she's fair game because she's a celebrity. But what I AM saying is that for the vast majority of people (like me) who fall just at or below "average" attractiveness/talent/intelligence, it's kind of difficult to raise the banner alongside her. I'm very happy to have her stand up for the cause that people shouldn't be judged by their attractiveness, but that's awfully easy for someone like her to say. And I guess I should be grateful that there are "beautiful" people who care about people like me, and, even moreso, about people so much less fortunate than I am, which she apparently does, as evidenced by her extensive work with numerous human rights causes. That certainly makes her a better person than me.

Which is why, sometimes, we all need a little shadenfreude. Or ashleyjuddenfreude.

Monday, October 3, 2011

Mother


"First my left foot, then my right, behind the other;
Breadcrumbs lost under the snow...oh, Mother..."

(Tori Amos)

I don’t mourn the loss of you in my life, so much as I mourn the loss of life in you–the ghosts of birthdays and Christmases yet to come that, for you, can never be anything but. I have, until the day I die, all my memories of you to keep me, but you will never have all those days and smiles and joys that should have been yours to keep. And most tragic of all, neither will the beautiful grandchildren for whom you prepared a promised land that you, like Moses, could only dream of but never enter.

Happy birthday, Mom.

Wednesday, September 28, 2011

The Lost Boys


Last week we took our niece & nephew to see a professional touring production of PETER PAN, starring Kathy Rigby in the title role. At the age of 58, she's still flying and leaping and tumbling--a real inspiration, and her effect on my nephew, who has Down Syndrome, was nothing short of magical. As we left, he informed us that Peter Pan was "going to come to my house and teach me how to fly."

As I watched the show, I recalled the various articles that came out about 20 years ago about the "Wendy Syndrome." Someone in the pop-psychology camp had capitalized on this story as an allegorical device for describing a particular type of woman--one who was nurturing and loving and motherly, but at the expense of having genuinely mature relationships with men. "Wendys" are always trying to save their "Peter Pans," men who never really grow up, but who are incessantly fun and fascinating. They love their Wendys, but are incapable of reciprocating with an adult-level love.

I started thinking about all the "lost boys" in my life, and there are PLENTY of them, although I use that term to describe men who aren't necessarily immature, but those who simply have not seemed to be able to find or develop a lasting romantic relationship. And I am honestly mystified as to why love has eluded them. They are all worthy of it--intelligent, funny, talented to the extreme, and, for the most part, exceedingly responsible and upstanding citizens. Some gay--some straight, but all people that I genuinely admire and adore. So if I can see it, why can't others?

Is it the Wendy in me? Do I idealize them on a certain level as a doting mother or big sister would? I know a part of me aches to give them the love that they're missing--I definitely have that in common with Wendy. But I don't think I romanticize them--I think I really do see them as they are. So why can't someone else? They are all relatively good-looking, they go to work every day, they are kind to their mothers and generous to their friends. So where is their special someone who will love and put them first?

Considering the fact that fat little me found someone, I just don't get it. I mean, I'm loud, bossy, and selfish, but I managed to find someone who loves me beyond belief. Maybe it's all sheer luck. I just wish mine would rub off on them. Hey, Beth--can I borrow a little bit of your pixie dust?

Tuesday, August 30, 2011

Ill With Want


Current song obsession: The Avett Brothers' Ill With Want. "I am sick with wanting, and it's evil and it's daunting how I let everything I cherish lay to waste...Something has me...oh, something has me...acting like someone I know isn't me...Ill with want and poisoned by this ugly greed..."

Welcome to middle age, boys.

By the time you figure out what you've missed, you're stuck with who you are and the choices that led you there, and are faced with the dawning realization that your remaining options, like your years, are far more limited than you thought they'd ever be. Arriving at this place where, to quote The Bard, you are "with what I must enjoy, contented least," you finally understand that there's little to no one to blame but yourself, and that the primary reason for all this is not necessarily what you did, but what you DIDN'T care enough to do.

Which leads to another line from another song that has hit me hard this week. It's from a Mumford & Sons song called I Gave You All: "If only I had an enemy bigger than my apathy, I could have won." Apathy is the name of EVERYTHING I've done wrong in or with my life. If only SOMETHING (or something IN me) had moved me, motiviated me, or challenged me to overcome this laziness and complacency--not even love ever seemed enough to do it.

Throughout my life, I have always been, alternatively, both proud and just a little dismayed by the fact that I'm so "even keeled." Until very recently, I never spent a lot of time being emotionally high or low...I tend to just take things as they come. I never got overly sad or angry or tortured about anything, but by the same token, things that elated or brought squeals of transcendant joy from others have always elicited from me a "tamped down" reaction. I'm happy, of course, but my joy levels seem to be wrapped up in the same modulator as my sadness.

And what modulates those feelings? Is it my apathy itself that's causing the interference? Or is it my lack of emotionalism that causes the apathy? Which came first--chicken or egg? Does it even matter?

The saying goes, "It's never too late." But when you're talking about things that are reserved for the truly young and beautiful to experience, that's just not true. "Age is a state of mind," they say. Maybe so, but it's also perfectly and permanently etched on your face. I can THINK I'm 29 and thin and gorgeous all I want to, but it doesn't make it true, and can NEVER make it true. Sometimes you just have to know when to stop hoping and dreaming, and accept the fact that you, via your own apathy, are the only one to blame.

Which leaves us where? Well, there's two choices, I guess: continue to grumble and be "ill with want" and let the things you cherish lay to waste, or snap out of it and start being grateful for the abundance of goodness in your life. Which abundance, in fact, I do have. It's kind of disgraceful that I would even be so selfish and unappreciative. But middle age is definitely a stop & assess time, and one can't help but have their regrets, regardless of the charmed life they've been given. I've thought for years that I was a "grown-up," someone who's responsible and mature and productive. But maybe this is the moment when one truly becomes a grown-up--that moment when you REALLY put childish dreams away, accept that you're a mortal being, and focus your attention on whatever good you have or comes your way in your remaining time.

Sometimes I think religion, or at least the nearly universal idea of an afterlife, plays a large part in our apathy or complacency. It definitely serves a very necessary purpose--if everyone believed this was it, much to Gene Roddenberry's chagrin, we'd probably all be looting & shooting up and doing who knows how many unspeakable things to each other--the general idea of an afterlife that promises not only eternal bliss for the good, but eternal damnation for the wicked is not such a bad thing when you look at the history of evils commited by humans against each other. But the idea that this is NOT all there is also gives you an excuse...you can abdicate responsibility for your own happiness by assuming that whatever you do or whatever gets dished out to you here will be made up for in the afterlife--if you just try to be a good person and/or believe in some form of salvation, you'll go to heaven, and all this will be merely a prelude to an eternal existence of perfection.

Huh.

But if THIS is all there is, how much joy have we robbed ourselves of by believing we'd all get a do-over?

Something to think about...tomorrow.

Saturday, July 16, 2011

Inside Out

“It’s what’s on the inside that counts.” Bull. Shit.

I’m not saying that the inside doesn’t count, but I’m here to tell you that the outside counts, too. And just as much, if not more so.

A confession: one of my favorite stories about myself is one I heard just before I was married. Some of my mother’s closest friends held a dinner party for me and my bridesmaids–I think there might have been eight of us there total. Anyway, our long-time neighbor related a story about having run into my ballet teacher at an event years prior, around the time I graduated high school, and reported that she said to her, of me, “I remember the day her mother first brought her to my dance school-I remember thinking to myself that she was absolutely the single most beautiful child I had ever seen–all eyes and that long black hair--she took my breath away.”

I guess it’s pretty shallow of me to hold onto that–I mean, we’re not talking about anything except outward appearances, and she probably said equally flattering things about many of her students over the years. Plus, it’s no great achievement to be cute when you’re only seven years old. But it DOES mean a lot to me, because as one of those girls who grew up to become the victim of overzealous puberty, genetics, and my own apathy that conspired to keep me short & fat for the remainder of my life (I learned the truth at seventeen/that love was meant for beauty queens....Janis Ian? Anyone??), it’s the one and only moment I know of in my entire life, with any certainty, that someone looked at me and saw pure BEAUTY. That I took someone’s breath away...that I inspired some kind of aesthetic awe.

There are beautiful people who go through life doing nothing but that, and I imagine that their complaint is that people ONLY see the outside, and don’t fully appreciate what’s going on inside. And in a way, I guess that can be just as painful a burden. But since I have no point of reference for that particular disadvantage...

The truth is that it ALL matters–the inside AND the outside. For what am I but what I am, in my entirety? My thoughts might ramble around in my mind, and those I commit to paper or voice might continue to tumble out into the ether, and might, in and of themselves, be meaningful or inspirational or even beautiful to others. But once those words leave the confines of my own body, they aren’t ME. They are shadows left behind. They can’t enjoy the feelings they engender–they never see the nods of agreement or hear the sighs of kindred spirits, nor do I. You might get a comment or two on a blog, and that’s something, for sure. But, again, that’s a disembodied kind of connection. I am CONNECTED to MYSELF. Everything I experience, my thoughts, my joys, my pains–they are all manifestations of this living, physical organism. If there is an afterlife, and I suddenly find myself on some astral plain as nothing but a collection of thoughts and feelings, then I’ll believe that the inside counts for more. But until then, I am trapped and at the mercy of what I, as a physical being, am able to experience, and those experiences are dictated and limited by what I look like.

I don’t feel the need to be gorgeous or perfect–I’d just really like to be “average.” You might think it’s a pretty sad state of affairs when your biggest dream is to be physically “average,” but “average” people, in my opinion, have the advantage of being able to participate in the widest range of experiences--social, physical, intellectual, spiritual, etc. When you’re super-beautiful, people can often objectify you and make assumptions about your intelligence, or, even if your intelligence is readily appreciated, it’s generally always secondary to your beauty. They also tend to assume that if you’re beautiful on the outside, that you’re also beautiful on the inside. However, when you’re NOT attractive on the outside, you don’t necessarily get any thoughts directed your way beyond that. People don’t look at an ugly person and assume they’re intelligent and/or beautiful on the inside–quite the opposite, usually. So there really IS more of a disadvantage to NOT being beautiful.

Which brings me back to the average Joe. Average Joe has far more freedom to create himself and his experiences. He’s a blank page on which we are free to project our basic assumptions of human potential and goodness. He’s the proverbial pot of porridge that’s “just right.” He and the average Jane are simply accepted as they are--they don't intimidate or repulse others. They’re not unduly pitied or reviled for being ugly, nor undeservedly envied or revered for being beautiful. People look at their average faces and bodies and assume “here’s a couple of fine, upstanding people, much like myself–they’re probably good folks.”

I prefer average looking people, myself. That’s who I actually tend to really note “beauty” in, both physically and spiritually. You might be 15 pounds overweight with thinning hair, but your eyes make my heart melt. You might have crooked teeth and bad skin, but your hands are lovely and expressive. I look at you and say to myself, “see, they’re not perfect, either, but they have perfectly beautiful physical things about them that draw me to them,” and that’s enough. I NOTICE these little things--all the time.

I have been fortunate in my life that most of the people I’ve encountered on a personal level also happen to be fairly intelligent, insightful, and talented. So the assumptions I make about my “average” compatriots’ intelligence or spiritual beauty tend to be a positive foregone conclusion. Of course the deeper you dive into another person’s psyche the more beautiful they become–their words and thoughts DO inform your vision of them in the physical realm. But your connection to them is still completely interdependent–it’s the physical/spiritual/intellectual combo plate–it can’t be ordered a la carte.

Do other people ever really look past my overall physicality and start to see any of those little pieces of perfection? Or do they just enjoy my company and admire my talents enough to the point that they don’t even really “see” me at all? Fortunately (or unfortunately–I can’t quite decide which), I think the answer is “yes” to the latter. Case in point: a few weeks ago, I organized and emceed a cabaret evening as a fund raiser for a local charity, which featured musical performances of show tunes by several women theatre leaders in our community, myself included. I was so overheated from running around getting everything together, that by the time the show was underway and I was up there under the lights introducing and later on performing, my face was wringing wet. I used a napkin to blot away the sweat (trying to preserve what little good my makeup was doing me), and by the time I got ready for bed that night, after having come home and sat at my own kitchen table with my husband and four of my closest friends for another couple of hours, I looked in the bedroom mirror as I took off my jewelry and realized that I had two small pieces of napkin still stuck to my face–right there on my cheek and on my forehead. And NO ONE saw them. Or if they did, they didn’t bother to tell me I had schmutz on my face. And the last time I had “dabbed” my face that evening was in the middle of the program. Which means not only did those sitting right across from me at my own kitchen table not register the crap on my face, but neither did anyone I was performing with, which is bizarre...So is it that (A) no one cares enough to tell me or (B) no one really SEES me?

I know people love me. I know that in spite of my imperfections that they do, in fact, see the beauty in what lies within. But I think they’ve learned to divorce my inside from my outside, and I find that really sad, in a way. Mainly because that’s what I’ve been doing for YEARS. I had a friend tell me one time (and she intended it as a compliment) that she was really amazed by me–that she thought it was great that I didn’t let my weight limit me socially–that I seemed to always be willing to go out and do the things I wanted to do. Which, when turned around in my stinking-thinking mind sounded like, “Gee, it’s great that you don’t let the fact that you’re fat get in the way of your having a good time.” Which was actually kind of true, because I have kind of always pretended that I’m not. I always thought I “carried it well.” I think I might have what they refer to in anorexics as body dysmorphic disorder (BDD). In the anorexic’s case, it usually manifests itself as their inability to look in the mirror and see their skeletal visage as anything but fat. I think BDD works the other way around in my case–I see myself as being about half the size I actually am. It also affects the way I see just my face–I look in a mirror, and I think, "at least I have a beautiful face," but then I look at photographs and they tell a completely different story! Mirrors do, in fact, lie. They lie like rugs.

So, what’s the point of this particular afternoon’s musings on inner vs. outer beauty? How did I even get here today? And is this line of thinking going to take me anywhere new? Will it lead me to a new understanding and acceptance of myself, or will it spur me on to more strongly endeavor to change myself? Or will my oldest and dearest, apathy, keep me right where I am? Who knows....who knows.

Tuesday, July 12, 2011

Beneath the Paint and Armor


Today's musical inspiration comes as a result of listening to my Ben Folds collection, top to bottom. It's been a long time since I spent time with this music, which has meant so much to me over the years. And it's funny how each song carries with it a specific thought pattern--rarely do we let the storyteller simply tell his stories without superimposing our own experiences upon them--you tend to either turn the lyrics outward onto those you know, or inward upon yourself, and you make the stories your own.

But once in awhile, your own stories or perspective can change. A song that has always held one meaning suddenly holds another. That was true today with "Jane." I've always applied this one outward on an old friend of mine who at one time seemed to be struggling with being at peace with who he is. But today, it was for me.

Jane, be Jane--
You’re better that way
Not when you’re trying
Imitating something you think you saw

So Jane, be Jane--
And though sometimes that might
Drive them away
Let them stay there–you don’t need them anyway

You’re worried there might not be anything at all inside
But that you’re worried should tell you that’s not right
Don’t try to see yourself the way that others do - it’s no use
You’ve had it harder than anyone could know - so hard to let it go.


But it’s your life
And you can decorate it as you like
Beneath the paint and armor,
In your eyes, the truth still shines


Jane, be Jane.

Here’s hoping that even though I don’t often feel like it’s even there, that, indeed, “beneath the paint and armor...the truth still shines.”

Tuesday, September 14, 2010

Photographic Evidence

Camera never was my friend, at least not since 4th grade
Recently got rid of a lot of extra baggage,
So I tried making friends again with the lens
Big mistake...he’s pissed, apparently...because I SWEAR TO GOD that the photographic evidence has been doctored

It’s not just the lines and wrinkles...
It’s the hideous mask hanging over who I thought I was
I even adjusted the lighting...you know, all those great tricks to get the camera to see what you want it so see
But not this guy...he’s treating me to the full frontal reality:
I am old.

Friday, September 10, 2010

At Arm's Length

Afraid of my own foolishness
Never wanting to be a fool
No–wanting to be a fool,
But never wanting to be judged a fool

Quiet in the corner
Lest my open mouth expose my ignorance
Let them assume still waters run deep
When in fact they are dangerously, dangerously shallow–
"No Diving Allowed" should be legally required

Always an imitation of myself
Tough girl, together girl,
Good girl...with the curl in the middle of her forehead
Who can be so horrid, horrid, horrid

Every one is at arm’s length
Every feeling, stretched even farther away
Let sleeping dogs lie, and let my lies remain dormant
Say nothing...say nothing...admit to nothing

Middle-age crazy, worse than teenage angst
At least then, despair was irrelevant in the face of the extra time on the clock
No time like the present...it’s all that’s left
A gift horse with her mouth sewn shut

Muddied mind, mixed metaphors, meaningless except to me
What’s the point? I mean seriously, what’s the point?
Stay out of here...the mind’s a steel trap
Baited with honey and unfulfilled wishes.

Friday, October 31, 2008

Once

John and I watched the new indie film ONCE a few months back. The music was sublime and haunting, and rightfully received an Oscar for Best Song for "Falling Slowly," which, in my opinion, wasn't even the best song in the film.

Singers and songwriters Glen Hansard (of The Frames) and Marketa Irglova spend the film playing fictionalized versions of themselves in what can best be described as something akin to a documentary about recording an album with a simple and bittersweet love story superimposed upon it.

Spoiler Alert: I'm about to reveal some plot points and the ending....read no further if you don't want to know!

An Irish street performer has a chance encounter with a young Czech immigrant, and they quickly discover they both love music. She (we never learn their names) takes him to a piano store where the owner lets her play during her lunch hours (since she can't afford a piano of her own), and he teaches her a song he's working on. They immediately connect and produce a lovely piece of music. After just a couple of days or so, now newly inspired, he decides to go ahead and record the demo record he's been putting off for years, getting her to write lyrics to one of his tunes, and hiring other musicians and obtaining studio time (for which she helps negotiate a 30% discount). In the interim, we find out he's been desperately pining after his old girlfriend, and she's been separated from her husband. There are some really nice romantic moments and some amazing musical moments, but they never connect physically. You can tell they're falling in love, but it's not necessarily with each other. The film ends with him heading off to London to shop his demo around to music labels and to rejoin his old love, with the girl welcoming her husband back into her home and life with their little girl. To repay her for her inspiration, the singer arranges to have a piano delivered to her home. Their entire story takes place in less than a week's time.

Although you're pulling all the while for them to end up together, there are clues along the way that it won't work out that way. She remarks several times that he must still be in love with whomever he's writing these passionate songs about, and when asked if she's still in love with her husband, she answers in Czech, and never translates.

What I adore about this love story is that it illustrates how there are so many different kinds of love stories that we all play out throughout our lives. What I mean is, every new person who comes into our lives in any meaningful way creates a new "love story." I've most often experienced it in terms of creative collaboration. Working on a play, you get to know new people and/or deepen existing relationships, which I find to be quite thrilling, and emotionally similar to that feeling of falling in love. I also fall in love with the art created. Unfortunately, I think that's why "backstage romances" are such a common (and dangerous) thing--it's not necessarily that we're really falling in love with some one, but rather we're responding to the excitement of new experiences and deepened understanding. It's very easy to get caught up in those feelings and mistake them for something they're not. It's also easy to see how people become junkies, in a fashion, for those feelings, pushing and forcing them into dangerous territories in order to keep the rush going. The trick, I guess, is to figure out how to balance revelry in the rush with a sense of perspective, and realize that's the best way to truly honor the experience for the vital nourishment to the soul that it imparts.


The two characters in ONCE ultimately understand this. They come to realize that it's possible to find and embrace a soul-mate that's not necessarily meant to be your romantic partner. They immerse themselves in their amazing collaboration and, in a very short but intense amount of time, make the absolute most of what it is destined to be. Their spirits co-mingle and they fall in love with the act of creation and its sublime consummation.

Not a bad way to spend a week.




Monday, August 18, 2008

Sunday School Trivia Question, Indeed

Okay, so I occasionally get these emails from friends or family that some one should have taken the time to check out on Snopes.com, usually making wild claims about "forward this to 100 people and Microsoft has to pay you $10,000," or "don't drink canned drinks or you'll die from inhaling rat poo." I will usually check it out on Snopes and reply to the person who sent it to me with a gently tactful request that they do the same before sending things out in the future. Then I also get (at least 5 times a week) those "Tag - You've Been Hugged! Now send this to at least ten people and back to the person who sent it to you and something wonderful will happen....blah blah blah blah...." Regardless of the message, I never respond to the chain emails, and rarely forward anything myself - just the occasional joke, or perhaps some kind of legitimate warning, (but only after I've verified it with Snopes.)

Recently, I've gotten a couple of messages that have really concerned me, though. Both had to do with claims that Barrack Obama is the antichrist and that, if elected, the world is going to come to an end. Here's the most recent email I received:

"Please read and think about our lives and what we don't think will ever change. It certainly could. This will make you re-think : A Trivia question in Sunday School :How long is the beast allowed to have authority in Revelations ?Guess the Answer?Revelations Chapter 13 tells us it is 42 months, and you know what that is.Almost a four-year term to a Presidency.All I can say is Lord Have Mercy on us.!!!!!! According to The Book of Revelations the anti-Christ is: The anti-Christ willbe a man, in his 40's, of MUSLIM descent, who will deceive the nations withpersuasive language, and have a MASSIVE Christ-like appeal....the prophecy saysthat people will flock to him and he will promise false hope and world peace,and when he is in power, will destroy everything ..Is it OBAMA??I STRONGLY URGE each one of you to post this as many times asyou can! Each opportunity that you have to send it to a friend or media outlet...do it!I refuse to take a chance on this unknown candidate who came out of nowhere."

Okay, first of all, bad grammar, typos, and misspellings aside, the name of the book is "Revelation" not "Revelations." More specifically, it's "Revelation of Christ to John." Secondly, it's obvious that most of this is based on an extremely broad set of criteria. I mean, 42 months is 6 months less than a presidential term, so what one has to do with the other is beyond me. Third, and what concerns me the most, is that I got this from an acquaintance who sent it out to about 250 people. Which leads me to believe that this person (a) actually believed what they read and (b) felt they needed to tell every one in their address book about it. I have no problem with friends and family members being more religious or conservative than I am, but I also assume that most of them would think for themselves, or at least hesitate before broadcasting half-truths and speculation, regardless of which candidate they support. Anyway, I just couldn't take it. So this time I decided I had to answer back, and this is the reply that I sent, cc'ing it to everyone on my acquaintance's forwarding list:


"Here's another Sunday School trivia question: How will man be able to predict or determine the timing of the second coming?

Matthew 24: 36 No one knows about that day or hour, not even the angels in heaven, nor the Son, but only the Father.

Even if some of us had the gift of prophecy or were able to simply make an educated guess that Obama might be the antichrist, who are we to stand in the way of God's will? If you believe the prophecies of Revelation to be true and are convinced those things will inevitably come to pass, then urging people not to vote for someone is futile. The only thing you can do is to be sure you, yourself, are right with God, and encourage others you care about to do the same.

2 Thessalonians 2:1 Concerning the coming of our Lord Jesus Christ and our being gathered to him, we ask you, brothers, not to become easily unsettled or alarmed by some prophecy, report or letter supposed to have come from us, saying that the day of the Lord has already come.


1 Corinthians 4:5 Therefore judge nothing before the appointed time; wait till the Lord comes. He will bring to light what is hidden in darkness and will expose the motives of men's hearts.

2 Timothy 4:1-2 In the presence of God and of Christ Jesus, who will judge the living and the dead, and in view of his appearing and his kingdom, I give you this charge: Preach the word; be prepared in season and out of season; correct, rebuke and encourage- with great patience and careful instruction.


I am certainly no religious expert, and, of course, had to google to find the scriptures quoted above. But it's my understanding based on my admittedly limited instruction in the Christian faith that if the events prophesied in the New Testament come to fruition, one would think that this "second" coming will be of a profound spiritual nature--the politics of individual nations, now or then, will be of little consequence.

I'm not saying that the upcoming election is of little consequence--it's very important to our lives here and now, and I hope you will vote as your conscience dictates. I'm just saying that I also hope people won't fall prey to the real sheep in wolves' clothing - political operatives who start these kinds of emails, using religion as a weapon to engender fear and to discourage critical thinking."



Monday, August 11, 2008

Where I Come From


Well, you can see I've fallen by the way-side on my paved super-highway to you-know-where, best intentions still weighing me down! And today, I'm not even posting my own words, but those of my husband, in honor of his birthday. He wrote this four years ago in response to an assignment at a summer workshop, and I think it's one of the most beautiful things I've ever read.


WHERE I COME FROM by John Howell

I am from a home that resonated with the arts like a deep chamber
full of harmonic voices and sounds,
Where magic was built into life from the beginning,
Where Christmas mornings shimmered with unexpected treasures.
The creative spark was nurtured in every soul as my parents listened to my hippie siblings playing their music with more than mere tolerance.


As I grew, I could explore a wide outdoor world on hot summer days,
a dog, my only companion. Imaginary worlds opened up
before my bare feet, and stories took shape in my inner life.


My home was an island in a calm, stagnant sea of lazy Southern complacency,
Where shallow pleasantness was meant to hide the crimes of the past,
Where nothing was to be learned that was not practical.
(And yet everything I learned was not practical.)


I have been back to treasure nostalgia, finding little to recognize, apart from home.
And even at home, the shadows are clearer that once were only small patches of coldness.
Our scars are revealed, but the flaws make us richer.


I have been to classes to learn about acting, and found the acting partner for the play of my life.
And I have sunk into her life and found another deep ocean where new families swim,
and new sparks light the skies around us.


I am going to a place, if there is one, where I can finally put thoughts and experiences
into weak words, without fear of their inadequacy.
I am going to a stage where the dramas performed are the stories of myself and my loved ones.
We have entertained each other for so long.


And to the children around me, I will pass on my favorite gift:
the delight of creation,
the thrill of connection,
the wonder of the music I have heard throughout my life.

Tuesday, August 21, 2007

Strange Weirdos

Okay, so here's my new favorite song, which is the title track on Loudon Wainwright, III's new album, STRANGE WEIRDOS--MUSIC FROM AND INSPIRED BY THE FILM "KNOCKED UP":

STRANGE WEIRDOS

Isn't it strange that 2 strangers

Suddenly don't feel so strange?

It's something familiar, though this time it's different

What they're in for feels like sea change



Isn't it weird that 2 weirdos

Can wind up not feeling that weird?

It's all so momentous, yet perfectly normal

Scary but not to be feared



And it starts with a sentence that might last a lifetime

Or it all might just go down in flames

If I let you know me, then why would you want me?


But each day I don't, is a shame


And each day I don't is a great shame




Isn't it great that two people


Together can tear down one wall?


The handwriting is on it, it's not hieroglyphic


That barrier just has to fall




But isn't it sad that most people


Stay so lonely, it's almost a crime?


We might be strange weirdos, but it can't be normal


To be frightened so much of our time




And it starts with a sentence that might last a lifetime


Or it all might just go down in flames


If I let you know me, then why would you want me?


But each day I don't, is a shame


And each day I don't is a great shame.




The film KNOCKED UP is a great movie, and a great story about how people who just don't seem to have any reason to fit together somehow do, and I highly recommend both the film and the soundtrack, as most of the amazing lyrics were omitted from the film version of the music.

Although he's been around for nearly 40 years, the first time I heard of Loudon Wainwright, III, was in an article I was reading about his son, Rufus Wainwright. For those of you not familiar, go right now to www.rufuswainwright.com and watch the video "Cigarettes and Chocolate Milk." You will fall in love immediately. He is a diva extraordinaire, and is FABULOUS in concert (I've traveled to see him in Chicago & San Jose).

Anyway, I digress. So I've been listening to this CD for the past week or so, mainly replaying "Grey in L.A." which is a catchy number, and another poignant song, "You Can't Fail Me Now." This morning, though, was the first time I really paid attention to the title track, which comes near the end of the album, and I was really moved by it. It perfectly sums up how John and I have always described our relationship. I told him years ago, "we're all weird--the trick is to find someone who understands your particular kind of weird." It also got me to thinking about other couples I know, most of whom are also their own special brand of strange, both individually and together.

I found myself thinking that the same goes for friendships as in romance in this "strange weirdo" universe. I think about my friends and co-conspirators and realize that what I revel in are their idiosyncrasies--the things that can simultaneously make them enigmatic or infuriating but deliciously different in just the right way. They've all got talents inumerable and immeasurable which move me beyond words, but what I love about them are those personalitly quirks and they way they seem to understand and appreciate mine.

And then I got to thinking about all my friends who are still alone in their strangeness, and it made me very sad. These are some of the most unique, gifted, loving people in the world, and for one reason or another, love has simply eluded them. If there's someone for me, then there ought to be someone for them, too. I wish I could play mix and match, sometimes--I mean, if they all connect to my strangeness, at least a few of them should connect to each other, but so far I haven't been able to join any of the dots. I want each of them to know not just love, but, perhaps even more importantly, the acceptance that comes from finding that corresponding weirdo.......

I think many of them get snagged in the chorus, "If I let you know me, then why should you want me?" and never realize that "each day I don't is a great shame."

Thank God for my entire family of strange weirdos. May each of you find and/or hold on to your own.

Monday, July 30, 2007

Tell It Away

UPDATE TO THIS POST 8/8/2008: You can now listen to the song below on Lee Barber's MYSPACE page: http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=120246544


Tell It Away is a song title from one of my favorite bands, The Barbers. Just thought the phrase reflected what a blog is all about.....telling all your musings/problems/secrets away - a purging effect.

I was involved recently with our theatre group's production of DINNER WITH FRIENDS. It was a stunningly beautiful experience. I loved watching it over and over each night (7 times including the 2 dress rehearsals and 5 performances). It was like listening to your favorite passionate piece of music over and over again--eyes closed, feeling your heart rise in your throat as you reach the crescendo. But unlike the musical recording, whic
h never changes, the live performances shift each night, giving you ups and downs, as the actors either get the moment just the way you want it, or de-emphasize something you found profound the night before, or make subtle changes that actually increase your emotional response, adding to the thrill.

The play's plot had to do with two 40-something couples facing the impending divorce of one of the couples and the consequences to their friendships. But it was really about love, honesty, and mortality. My favorite line in the play comes in the next to the last scene. Gabe says, "It just doesn't seem fair....when so much has already gone, and there's just so little left." Even though I don't have children like the characters in the play do, I can still connect to that feeling that I'm on the downhill slide. With or without children, married or single, "practical matters" still tend to outweigh "abandon."

My new favorite song is by Lee Barber (formerly of The Barbers). It is called "The Monkey and the Ass." It is sad and haunting and heartbreaking. He was in town from Austin and played with Bruce Golden at Lemuria dot.com one night a few weeks ago, and he sang this song which I can only assume was autobiographical and perhaps about his former wife, who used to be in the band with him. The song wasn't on his new mini-CD or on his myspace page, so I asked him to send me the lyrics. They seem to echo some of the themes in the play. Here they are:



The Monkey and the Ass
by Lee Barber

There’s so much to forget, misplace / between the monkey and the ass
The nights we slept on sheets of glass / until you called it over
But I’ll remember the perfume
The ceremony in your room
When we were young as lovers

And I know
It will never be the same / it will never wash away
Like the button on your coat
I’ll think of you
When the working day is through
When the noise turns into night / I will be alright
I’ll think of you

And if they ask me / how does the story go?
I wouldn’t know / I read the book but all I heard was music


Everybody knows this face / will not be used to launch the ship
But I’ll be here if you should slip / and I will catch you
So don’t forget your trail of crumbs / at least until the morning comes
So that I can find you

Don’t look back
Bring your flashlight and your drum / play it ‘til your hands are numb
Your twisted cane, your cardboard wings
All those things
That light you up and keep you young / the righteous heart, the open kiss
All the things that I will miss
Will follow you

And if they ask me / how does the story go?
I wouldn’t know / I read the book but all I heard was music


And I know
It will never be the same / it will never wash away
Like the button on your coat
I’ll think of you
When the working day is through
When the noise turns into night / I will be alright
I’ll think of you