Okay, so here's my new favorite song, which is the title track on Loudon Wainwright, III's new album, STRANGE WEIRDOS--MUSIC FROM AND INSPIRED BY THE FILM "KNOCKED UP":
STRANGE WEIRDOS
Isn't it strange that 2 strangers
Suddenly don't feel so strange?
It's something familiar, though this time it's different
What they're in for feels like sea change
Isn't it weird that 2 weirdos
Can wind up not feeling that weird?
It's all so momentous, yet perfectly normal
Scary but not to be feared
And it starts with a sentence that might last a lifetime
Or it all might just go down in flames
If I let you know me, then why would you want me?
But each day I don't, is a shame
And each day I don't is a great shame
Isn't it great that two people
Together can tear down one wall?
The handwriting is on it, it's not hieroglyphic
That barrier just has to fall
But isn't it sad that most people
Stay so lonely, it's almost a crime?
We might be strange weirdos, but it can't be normal
To be frightened so much of our time
And it starts with a sentence that might last a lifetime
Or it all might just go down in flames
If I let you know me, then why would you want me?
But each day I don't, is a shame
And each day I don't is a great shame.
The film KNOCKED UP is a great movie, and a great story about how people who just don't seem to have any reason to fit together somehow do, and I highly recommend both the film and the soundtrack, as most of the amazing lyrics were omitted from the film version of the music.
Although he's been around for nearly 40 years, the first time I heard of Loudon Wainwright, III, was in an article I was reading about his son, Rufus Wainwright. For those of you not familiar, go right now to www.rufuswainwright.com and watch the video "Cigarettes and Chocolate Milk." You will fall in love immediately. He is a diva extraordinaire, and is FABULOUS in concert (I've traveled to see him in Chicago & San Jose).
Anyway, I digress. So I've been listening to this CD for the past week or so, mainly replaying "Grey in L.A." which is a catchy number, and another poignant song, "You Can't Fail Me Now." This morning, though, was the first time I really paid attention to the title track, which comes near the end of the album, and I was really moved by it. It perfectly sums up how John and I have always described our relationship. I told him years ago, "we're all weird--the trick is to find someone who understands your particular kind of weird." It also got me to thinking about other couples I know, most of whom are also their own special brand of strange, both individually and together.
I found myself thinking that the same goes for friendships as in romance in this "strange weirdo" universe. I think about my friends and co-conspirators and realize that what I revel in are their idiosyncrasies--the things that can simultaneously make them enigmatic or infuriating but deliciously different in just the right way. They've all got talents inumerable and immeasurable which move me beyond words, but what I love about them are those personalitly quirks and they way they seem to understand and appreciate mine.
And then I got to thinking about all my friends who are still alone in their strangeness, and it made me very sad. These are some of the most unique, gifted, loving people in the world, and for one reason or another, love has simply eluded them. If there's someone for me, then there ought to be someone for them, too. I wish I could play mix and match, sometimes--I mean, if they all connect to my strangeness, at least a few of them should connect to each other, but so far I haven't been able to join any of the dots. I want each of them to know not just love, but, perhaps even more importantly, the acceptance that comes from finding that corresponding weirdo.......
I think many of them get snagged in the chorus, "If I let you know me, then why should you want me?" and never realize that "each day I don't is a great shame."
Thank God for my entire family of strange weirdos. May each of you find and/or hold on to your own.
Tuesday, August 21, 2007
Monday, July 30, 2007
Tell It Away
UPDATE TO THIS POST 8/8/2008: You can now listen to the song below on Lee Barber's MYSPACE page: http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=120246544
Tell It Away is a song title from one of my favorite bands, The Barbers. Just thought the phrase reflected what a blog is all about.....telling all your musings/problems/secrets away - a purging effect.
I was involved recently with our theatre group's production of DINNER WITH FRIENDS. It was a stunningly beautiful experience. I loved watching it over and over each night (7 times including the 2 dress rehearsals and 5 performances). It was like listening to your favorite passionate piece of music over and over again--eyes closed, feeling your heart rise in your throat as you reach the crescendo. But unlike the musical recording, which never changes, the live performances shift each night, giving you ups and downs, as the actors either get the moment just the way you want it, or de-emphasize something you found profound the night before, or make subtle changes that actually increase your emotional response, adding to the thrill.
The play's plot had to do with two 40-something couples facing the impending divorce of one of the couples and the consequences to their friendships. But it was really about love, honesty, and mortality. My favorite line in the play comes in the next to the last scene. Gabe says, "It just doesn't seem fair....when so much has already gone, and there's just so little left." Even though I don't have children like the characters in the play do, I can still connect to that feeling that I'm on the downhill slide. With or without children, married or single, "practical matters" still tend to outweigh "abandon."
My new favorite song is by Lee Barber (formerly of The Barbers). It is called "The Monkey and the Ass." It is sad and haunting and heartbreaking. He was in town from Austin and played with Bruce Golden at Lemuria dot.com one night a few weeks ago, and he sang this song which I can only assume was autobiographical and perhaps about his former wife, who used to be in the band with him. The song wasn't on his new mini-CD or on his myspace page, so I asked him to send me the lyrics. They seem to echo some of the themes in the play. Here they are:
The Monkey and the Ass
by Lee Barber
There’s so much to forget, misplace / between the monkey and the ass
The nights we slept on sheets of glass / until you called it over
But I’ll remember the perfume
The ceremony in your room
When we were young as lovers
And I know
It will never be the same / it will never wash away
Like the button on your coat
I’ll think of you
When the working day is through
When the noise turns into night / I will be alright
I’ll think of you
And if they ask me / how does the story go?
I wouldn’t know / I read the book but all I heard was music
Everybody knows this face / will not be used to launch the ship
But I’ll be here if you should slip / and I will catch you
So don’t forget your trail of crumbs / at least until the morning comes
So that I can find you
Don’t look back
Bring your flashlight and your drum / play it ‘til your hands are numb
Your twisted cane, your cardboard wings
All those things
That light you up and keep you young / the righteous heart, the open kiss
All the things that I will miss
Will follow you
And if they ask me / how does the story go?
I wouldn’t know / I read the book but all I heard was music
And I know
It will never be the same / it will never wash away
Like the button on your coat
I’ll think of you
When the working day is through
When the noise turns into night / I will be alright
I’ll think of you
Tell It Away is a song title from one of my favorite bands, The Barbers. Just thought the phrase reflected what a blog is all about.....telling all your musings/problems/secrets away - a purging effect.
I was involved recently with our theatre group's production of DINNER WITH FRIENDS. It was a stunningly beautiful experience. I loved watching it over and over each night (7 times including the 2 dress rehearsals and 5 performances). It was like listening to your favorite passionate piece of music over and over again--eyes closed, feeling your heart rise in your throat as you reach the crescendo. But unlike the musical recording, which never changes, the live performances shift each night, giving you ups and downs, as the actors either get the moment just the way you want it, or de-emphasize something you found profound the night before, or make subtle changes that actually increase your emotional response, adding to the thrill.
The play's plot had to do with two 40-something couples facing the impending divorce of one of the couples and the consequences to their friendships. But it was really about love, honesty, and mortality. My favorite line in the play comes in the next to the last scene. Gabe says, "It just doesn't seem fair....when so much has already gone, and there's just so little left." Even though I don't have children like the characters in the play do, I can still connect to that feeling that I'm on the downhill slide. With or without children, married or single, "practical matters" still tend to outweigh "abandon."
My new favorite song is by Lee Barber (formerly of The Barbers). It is called "The Monkey and the Ass." It is sad and haunting and heartbreaking. He was in town from Austin and played with Bruce Golden at Lemuria dot.com one night a few weeks ago, and he sang this song which I can only assume was autobiographical and perhaps about his former wife, who used to be in the band with him. The song wasn't on his new mini-CD or on his myspace page, so I asked him to send me the lyrics. They seem to echo some of the themes in the play. Here they are:
The Monkey and the Ass
by Lee Barber
There’s so much to forget, misplace / between the monkey and the ass
The nights we slept on sheets of glass / until you called it over
But I’ll remember the perfume
The ceremony in your room
When we were young as lovers
And I know
It will never be the same / it will never wash away
Like the button on your coat
I’ll think of you
When the working day is through
When the noise turns into night / I will be alright
I’ll think of you
And if they ask me / how does the story go?
I wouldn’t know / I read the book but all I heard was music
Everybody knows this face / will not be used to launch the ship
But I’ll be here if you should slip / and I will catch you
So don’t forget your trail of crumbs / at least until the morning comes
So that I can find you
Don’t look back
Bring your flashlight and your drum / play it ‘til your hands are numb
Your twisted cane, your cardboard wings
All those things
That light you up and keep you young / the righteous heart, the open kiss
All the things that I will miss
Will follow you
And if they ask me / how does the story go?
I wouldn’t know / I read the book but all I heard was music
And I know
It will never be the same / it will never wash away
Like the button on your coat
I’ll think of you
When the working day is through
When the noise turns into night / I will be alright
I’ll think of you
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